Programme 2010/2011
Meetings are held on Fridays at 7.30 p.m. Click a month below to see details.
September October November December January February March April
September
| 17 | ![]() |
AN EVENING WITH BARRY SENIOR |
A warm welcome to Ilkley for the Past President of the Royal Photographic Society, Dr Barry Senior Hon FRPS APAGB known for his monochrome landscapes and more recently for still life studies in colour and monochrome. To see his profile click here. |
| 24 | CONTRASTS |
| A lecturette evening with two of our talented members, John Fontana ARPS and Nick Hodgson. They have interesting contrasting styles and approaches to photography which have proved successful. | |
Please bring your prints for the PAGB Print Competition |
October
| 1 | ![]() |
THE COMING OF AGE ROADSHOW |
A welcome return to Ilkley of John Wells FRPS. He is a member of Gamma Photoforum based in Bradford. His images concentrate on elements and have soft muted colours which should encourage members to try something different in their photography. To see his profile click here. |
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Please bring prints for the competitions to be held on 15 October. |
| 8 | IS THAT IT? |
| An evening with the ever popular Leigh Preston FRPS MPAGB. Well known for his superb landscapes and travel photography. He enjoys passing on his knowledge to other photographers in an humorous enjoyable manner. To see his profile click here. | |
The following day Leigh is running a Workshop for members. Click here for details. |
| 15 | ANNUAL PRINT COMPETITION (Images this year) |
| (7) | F SMITH TROPHY | Record | Mono or colour |
| (12) | VERE TROPHY | Creative Prints | Mono or Colour |
| (11) | I M GLOVER TROPHY | Photo Panel | Mono or Colour |
| Judge: Erica Oram CPAGB BPE1* |
| 22 | NORTHERN LANDSCAPES |
A first visit to Ilkley of local landscape photographer Les McLean. It is good to see someone that is local yet new to the Club. I am certain that we will appreciate Les's images. (He is not to be confused with another Les McLean who writes for photo magazines). |
| 29 | NIK SOFTWARE DEMONSTRATION |
An evening with a representative from Colour Confidence, Peter Lovelock on NIK Software. "Colour filters that are the leading photographic filters for digital photography. The ultimate control to selectively apply enhancements without the need for any complicated masks, layers or selections". To see his profile click here. |
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Please bring slides for the competition to be held on 12th November. |
November
| 5 | ![]() |
CREATIVE CONSCIOUSNESS |
It is a great pleasure to welcome Dianne Owen FRPS, who will share her highly creative work. It shows artistic imagination and she has won many awards. It promises to be an amazing evening not to be missed. This lecture is part of the Ilkley Arts Festival. To see her profile click here. |
| 12 | ANNUAL SLIDE COMPETITION |
| (19) | J HARDY TROPHY | Photo Panel | |
| (22) | A C M DUNCAN TROPHY | General | |
| (23) | HILDA HOLMES TROPHY | Applied |
| Judge: Rod Smith ARPS | |
| Please bring prints for competitions to be held on 26th November |
| 19 | CHALK AND CHEESE |
A lecturette evening with two of our talented members, Geoff Smith and Richard Spurdens. Last season Geoff won the T L Haigh Trophy for the best eight prints entered in competitions and Richard organised the successful Studio Evening for members. To see their profile click here. |
| 26 | ANNUAL PRINT COMPETITION (Images this year) |
| (5) | PORTRAITURE TROPHY | Portraiture/People/Figure Study | Mono or colour |
| (8) | ASH BOWL | Natural History | Mono or colour |
| (10) | R H WALKER TROPHY | Photojournalism, Sports and Pastimes | Mono or colour |
| Judge: Richard Egan FRPS DPAGB |
December
| 3 | ![]() |
CLOSE ENCOUNTERS |
An evening with top natural history photographers John and Margaret Sixsmith ARPS(s) EFIAP/b. They have both won many awards for their images. Once seen they will encourage members to improve their skills in this interesting subject area. See their profile here |
| 10 | MY RECENT WORK |
A rare opportunity to see the recent work of our very own Keith Parcell ARPS. He is also a member of Gamma Photoforum, an invitation only group of photographers from the north. See his profile here. |
| 17 | CHRISTMAS SOCIAL |
| 24 | No meeting - Christmas Eve |
| 31 | No meeting - New Year's Eve |
January
| 7 | ![]() |
OPEN EVENING |
A night to present your recent work and receive comments from members. Also for the groups to discuss progress on images of their chosen subjects ready for the Practical Evening in February. |
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| Please bring prints for competitions to be held on 21st January. |
| 14 | CELEBRATING CARTIER-BRESSON |
| 21 | ANNUAL PRINT COMPETITION (Images this year) |
| (3) | VERA DAWSON TROPHY | Pictorial | Monochrome |
| (4) | F E SALTER TROPHY | Pictorial | Colour |
| Judge: Ray Brammall ARPS DPAGB |
| 28 | THE LONDON SALON |
| An AV presentation from this outstanding exhibition. |
February
| 4 | ![]() |
THERE ARE PLACES I REMEMBER |
A presentation from ex Gamma member Walter Lewis. It will be interesting to see Walter's images and how they differ from those shown by other Gamma members earlier in the season. See his profile here. |
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| Please bring digital images for competitions to be held on 18th February. |
| 11 | CLUB PRACTICAL EVENING |
| Members in the four groups will make a ten minute presentation of the digital images they have produced on their chosen subjects, Air, Earth, Fire and Water. Further details can be found here. |
| 18 | ANNUAL DIGITAL PROJECTION COMPETITIONS (Images from this year) |
| (13) | RUNDLE TROPHY | Three digital images | |
| (24) | D W Haigh Trophy | General Any other non Applied image | |
| (25) | I G Strang Trophy | Applied |
| Judge: David Burgess ARPS |
| 25 | A PHOTOGRAPHER'S TALE |
It is good to welcome the distinguished photographer Leo Palmer FRPS FPSA EFIAP to present the Tom Haigh Memorial Lecture. To see his profile click here. |
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| Please bring AV's for the competition on 11th March. Also all entries for the YPU Annual Exhibition |
March
| 4 | ![]() |
NO EVERGREEN VIEW |
A first visit to Ilkley for the London based photographer Dave Mason, a member of the Mirage Group. "Dave Mason brandishes his keen colour sense like a sharply pointed rapier." View his profile here |
| 11 | ANNUAL AV COMPETITION (Images from this year) |
| (26) | J DUNCAN TROPHY | Audio Visual | (Max of 5 minutes) |
| Judges: Tony and Marjorie Furmston FRPS(s). See their profile here. |
| 18 | OPEN EVENING |
| Another opportunity to present your recent work and receive comments from members. Format to be confirmed closer to the event. |
| 25 | WALK ON THE WILDSIDE |
An evening with two of our talented members, Len Morris CPAGB and Mark Bukumunhe. Len with his Natural History and Mark his colourful memorable images of people and events both local and abroad. |
April
| 1 | ![]() |
ANNUAL GENERAL MEETING |
The Committee reports to Members on the Club's activities. Members vote for new committee members for the coming year. This is the opportunity for Members to ask questions and make proposals as necessary. |
| 8 | AN EVENING WITH COLIN NEW FRPS |
| 15 | SOCIAL EVENING & PRESENTATION of AWARDS |
Members will be presented with their competition certificates and trophies. Members guests are welcome. |
IMPORTANT:
The rules have been changed for a number of our competitions. Please check the new rules before you enter any images.
Class 3 - Pictorial Monochrome
The object of pictorial photography is to produce a picture that arouses an emotional response in the viewer. Emotions are not all pleasant: anger, greed, fear and despair are all emotions which can be aroused by a picture as well as pleasure, joy, nostalgia, etc. The intensity of the response is the primary criterion for judging the picture. Technical matters such as definition, exposure and contrast may (or in some cases may not) contribute to an overall effect, but they are secondary to the emotional response.
(Examples)
Class 4 - Pictorial Colour
The object of pictorial photography is to produce a picture that arouses an emotional response in the viewer. Emotions are not all pleasant: anger, greed, fear and despair are all emotions which can be aroused by a picture as well as pleasure, joy, nostalgia, etc. The intensity of the response is the primary criterion for judging the picture. Technical matters such as definition, exposure and contrast may (or in some cases may not) contribute to an overall effect, but they are secondary to the emotional response.
(Examples)
Class 5 - Portraiture - including People, and Figure Study
Shall include figures, groups and individuals, formal and informal (animal portraits are not included). This class now includes people at work or play. Please note that sporting events come within Photojournalism below.
(Examples)
Class 7 - Record
Photographs of buildings or other inanimate objects. The subject matter should be sharp overall, with true horizontals and neither converging nor diverging verticals. The retention of detail in shadows and highlights is important so lighting should not be contrasty. It must, however, be adequate to show the texture of the subject, where relevant. Titles should be factual.
Extra Information
Subjects in this branch of photography may be of an architectural (either secular or ecclesiastical) type, or may be other objects, such as statuary, carvings, glassware and porcelain, objects d'art, etc.
With the subject matter suitably filling the frame, the photograph should be a faithful representation of the original.
Titles should be factual: giving subject details only (e.g. Pulpit Panel. Ilkley Parish Church).
(Examples)
Class 8 - Natural History
Illustrates the natural world and includes everything, which occurs naturally, but excludes domestic animals and pets, garden plants and any hybrids produced as a result of human interference.
The subject should be clearly identifiable and shown in its natural habitat or similar. Captive subjects can be accepted providing they comply with the foregoing conditions and there is no obvious indication of their captivity.
An exception can be made for photographs which illustrate a detailed part of a subject where such detail is of interest or necessary for identification. Fossils are also acceptable. Entries should be correctly named.
(Examples)
Class 10 - Photojournalism/Sports
/Pastimes
Should be of subjects suitable for publication in a newspaper or specialist magazine. This class now to include domestic animals, gardens, events and others of a general illustrative nature.
(Examples)
Class 11 - Photo Essay Panel
The prints can be of a theme of the photographer's choice. The prints can tell a story or describe an event or location. The number of prints in such an entry may be from a minimum of four up to a maximum of six original images. The prints should be mounted on individual boards to be displayed as a panel.
Extra Information
Shall consist of one entry per member. Each print shall comprise of a single image. Usual print mount size rules apply.
(Examples)
Class 12 - Creative
There are no rules for this trophy other than mount size, to encourage entrants to use their creative skills.
A photographic creation by the author, including the use of manipulation through the camera, darkroom or digital techniques. This is the only class in which computer generated images are accepted.
Extra Information
Special effects may be carried out to the original image and other pictures/imported photographs may be added to provide extra detail; therefore, the author may use images to which they do not hold the copyright providing they obtain permission to use them. Let your imagination run riot!
(Examples)
Class 13 - Rundle Trophy - Digital Images
The object is to demonstrate the all-round ability of the photographer. The entry shall consist of three digital images which must be different in subject and/or technique. The entry to be judged as a set, one mark only for the set of three images. The images must not have been entered in previous competitions of any kind. The set is not intended to be judged as a panel but purely as evidence of the breadth of skill of the photographer.
(Examples)
Class 19 - Photo Essay Panel
The slides can be of a theme of the photographer's choice. The slides can tell a story or describe an event or location. The number of slides in such an entry may be from a minimum of four up to a maximum of six original images.
Extra Information
The slides panel shall consist of one entry per member. Each slide shall comprise of a single image. Usual slide size rules apply.
(Examples) [Not slides]
Class 23 - Applied
This is a single class that includes the following:
Photographs of buildings or other inanimate objects. The subject matter should be sharp overall, with true horizontals and neither converging nor diverging verticals. The retention of detail in shadows and highlights is important so lighting should not be contrasty. It must, however, be adequate to show the texture of the subject, where relevant. Titles should be factual.
Illustrates the natural world and includes everything, which occurs naturally, but excludes domestic animals and pets, garden plants and any hybrids produced as a result of human interference.
The subject should be clearly identifiable and shown in its natural habitat or similar. Captive subjects can be accepted providing they comply with the foregoing conditions and there is no obvious indication of their captivity.
An exception can be made for photographs which illustrate a detailed part of a subject where such detail is of interest or necessary for identification. Fossils are also acceptable. Entries should be correctly named.
(Examples) [Not slides]
Class 25 - Applied
This is a single class that includes the following:
Photographs of buildings or other inanimate objects. The subject matter should be sharp overall, with true horizontals and neither converging nor diverging verticals. The retention of detail in shadows and highlights is important so lighting should not be contrasty. It must, however, be adequate to show the texture of the subject, where relevant. Titles should be factual.
Illustrates the natural world and includes everything, which occurs naturally, but excludes domestic animals and pets, garden plants and any hybrids produced as a result of human interference.
The subject should be clearly identifiable and shown in its natural habitat or similar. Captive subjects can be accepted providing they comply with the foregoing conditions and there is no obvious indication of their captivity.
An exception can be made for photographs which illustrate a detailed part of a subject where such detail is of interest or necessary for identification. Fossils are also acceptable. Entries should be correctly named.
(Examples)
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